The global pandemic of Coronavirus is challenging everyone is so many ways right now – and musicians are no different. With gigs being cancelled many have lost an income, and are worried about being able to recover any of that or continue to share their music with fans.
How to be a musician in isolation
There’s no easy answer as things are going to be hard but here’s a few tips if you’re looking to move gigs online, suddenly need to look at subscription models and building a community of fans, or are thinking about how your skills or teaching may be delivered online.
The good news is that while many music fans are facing hardship through loss of their own work, they still want to support their favourite musicians, and for those who have a steady income or sick pay they’re taking in more music while in isolation and are in a position to support financially too.
This post is intended to give a high level overview and much of this needs a deeper dive with practical steps to get started but – let’s look at what you can do, right now.
Online gigs and live streaming shows
This is the one I’m getting the most questions about right now, and also where most of the activity online seems to be headed. The immediacy of losing live music and having tours, festival slots, and planned gigs fall out of the diary is stark for musicians and fans.
Moving online with that show likely won’t replace the income, won’t necessarily help the venue you were due to play at, but it goes someway to sharing your music with fans and asking them to buy merch, music, or throw some money in a tip jar in return.
Things you’ll need: at a minimum a phone, preferably an external mic and tripod, possibly a soundcard to allow for multiple mics, and maybe also some lights.
This isn’t supposed to look like TV though – it’s fine to be rough around the edges and DIY. You might want to add in a Q&A via the comments during the broadcast, or just perform as you would a gig. It’s a far more intimate experience for fans than going to a gig, but through options like Watch parties on Facebook (where you share to a Page, or invite your friends to watch along too) there’s an element of the social we get from live music.
Overall – just make sure people can see and hear you and you’re good to go.
Facebook Live, Instagram TV, YouTube and Twitch
The quickest way to stage your own online gig is through one of the platforms you’re likely to already be using. Facebook Live, Instagram, YouTube or even Twitch (which is probably best known as a gamers platform but encourages musicians to try it out – their guide is here).
Twitch has the ability to monetise but with the others you’re going to want to link to places people can buy stuff from you, or create a sort of paywall. You could do this on Facebook by asking for an upfront payment before letting people into a private Group where you’ll do the Live, and the video will remain available afterwards – a sort of ticketed event.
With all make sure you’re promoting when the live performance will take place in advance, across all your social profiles and to any mailing list you have. Make the video available afterwards as you’re likely to see more engagement after the event. If you can rope someone in (remotely) to help moderate comments and signpost people during the performance all the better.
For a platform dedicated to live gigs you could check out StageIt. The platform allows you to ticket your online gig, or put out a tip jar, and they are currently giving 80% of money taken during a performance to artists. Find them here.
Amplify through online publications
There’s lots of people trying their best to help musicians by bringing these online shows together and amplifying to more people. There’s a couple of dedicated ‘online festivals’ and a couple of directories (viewing guides if you will) to help people find what’s on too. It’s well worth looking out for these and seeing if you can link up or submit your show to listings – this might push you beyond performing to your existing fans and into being discovered by others.
Move fans from streaming to downloads
Let’s be blunt: streaming is unlikely bringing you a big income already, and it’s not going to see you through this hard time on its own. Streaming platforms are unable to scale to the challenge being faced by independent musicians and so now is the time to educate your fans that even if they do stream you, they need to be doing something else to support you too.
That might be committing to download your music from Bandcamp even if they don’t listen to download and continue to stream. It might be ordering physical merch from you, and being understanding about any shipping restrictions you face at this time. It might be buying merch or subscribing to you (see below), but you have to be clear with them that while you appreciate streams it isn’t helping in a practical way.
Subscriptions, memberships and tip jars
Growing an online community is a good option for independent musicians at all times, not just in this very weird time. Amanda Palmer, Kristen Hersch, Laura Kidd, Steve Lawson – all have grown communities which support them to make and release music as a career and it’s worth checking them out even if they create in a different genre or way to you.
Patreon gives you a ready made system with an easy-to-set-up walkthrough where you can provide exclusive content in exchange for a subscription, and if you’re on Bandcamp you can also offer a subscription to people on there. Platforms like Ko-fi allow you to shape an ask for occasional ad-hoc payments, but you could easily set up a PayPal if you just want an ‘online tip jar’ where those able can put some money your way in appreciation of what you do.
Skill sharing and learning something new
You might already teach music or instrumentation to others, or you might be thinking about it for the first time. Again, there’s lots of people using isolation and an enforced slow down to work on some of those personal development goals and may well be on the look out for a teacher.
Most instrument teaching can be done remotely – use Zoom, Google Hangout or Skype to video chat. You may want to post some example lessons on YouTube or one of your other profiles for people to check out first.
And if you’re not in need of the money perhaps this is the time to think about skill sharing. Could you teach someone to play an instrument, home record, or production skills in return for something you’d like to learn? This is definitely the time to do things differently so think more broadly than exchange for cash unless you’re being forced into a position where your home and ability to stay well is at risk.
Need a hand?
If you need a bit more help then I’m offering free consultations by phone (or Zoom, Skype, or Google Hangout) for practical help getting started on this stuff or if you want some support with developing as an artist and making a longer term plan. I’m also available if you’d just like a chat to share worries or ideas, or have a virtual coffee while in isolation. Drop me an email and let’s book something in – no catch, no fee, no follow up hard sell down the line.
If you’ve got a release coming up you’re probably thinking about how to get it out there with reviews on your favourite blogs, radio play and playlisting – you might even have set aside money to get a music PR or plugger to help you do this or you might have decided against a cash spend but are going to put in your own time to try and get the results.
Whether it’s doing it DIY and investing your time, or finding the right person to join your team and work for you to a budget, it’s worth considering where you put your effort: into PR and plugging, into direct digital marketing, or a combination of both.
Music PR and pluggers
Paying a music PR or plugger to help you promote your release can start from a couple of hundred pounds and run into thousands depending on who you choose and who you’re targeting for coverage. The benefit of putting some money behind a music PR or plugger (who specialise in pitching your music to radio stations) is they already have the relationships in place.
But in a time where technology makes it possible to reach fans directly is music PR and radio plugging still important? Most certainly. By helping you get covered in music publications, played on air and playlisted it can help in ways beyond critiquing your work including:
- it helps you reach new audiences and build credibility – not only listeners but promoters and festival bookers are all interested in what bloggers, broadcasters and journalists think of you
- it may help you achieve more streams on platforms like Spotify – curators on the platform look at buzz from blogs and smaller playlisters to see what emerging bands might do well on their editorial playlists. At Reckless Yes getting Fightmilk included on a particular playlist boosted their initial streams and has continued to keep them rolling in and generating an income six months after release.
- it may connect you to new opportunities – bloggers are generally passionate music fans connected into their local or other scenes and may informally suggest you for other opportunities or intro you to those they might also be into you. LIINES, who are signed to Reckless Yes for label and management, were put onto my radar by another journalist when I was editor at Louder Than War – our coverage led to radio play and live opportunities, as well as the record deal
- and it does give you feedback on your release – even if you go the DIY route and approach places directly without paying a PR some bloggers will send you feedback, especially if you use a system like SubmitHub. Not all bloggers will have the time or the inclination to come back to you, and their feedback may not be welcomed if they do (after all, they have just one opinion and your art is your art) but those who do may help you shape things in a way which leads to greater success.
It’s not good to only think of PR and plugging when you have a release anymore. We’re beyond the days of mass media where everyone was reliant on the weekly music press, a few radio shows, and even fewer TV stations to tell them what they should be listening to. Discovery is dispersed these days and so while music PR and plugging is still an essential part of the mix you need to also think about more direct ways to get your music heard.
Direct to Fan and digital marketing
Technology means musicians are more able than ever to do directly things they would have had to pay someone else to do, or wait for a record deal to provide, in the past. And while ‘marketing’ may feel like a dirty word to you if you’re interested in even a handful of people hearing your music it’s something you’ll need to do – as we say, discovery is dispersed and so being where your potential listeners (or fans if you prefer) are is vital.
Direct to Fan marketing is exactly what it sounds like; ways of reaching those who may like your music directly. Social media, email marketing, and playlisting all help musicians to do this digitally and just like PR it means you can choose whether to invest your budget in someone who already knows the ropes and can do this for or with you, or you can invest your time and pick up skills so you can do it yourself.
Facebook posts are the tip of the iceberg here – whether you’re trying to do it for free or you’re putting some money behind sponsored posts – and a good direct to fan or digital marketer will look at your whole online presence from a website and mailing list, to how you appear in search, to helping you really understand the places your audience hangs out to, yes, your social media channels.
But digital marketing may not feel comfortable for every artist. Not everyone wants to spend their time online and you may have well-founded reservations about being on certain platforms or promoting your music through networks you don’t ethically agree with. Social media and streaming aren’t the only way – you can still build a community around a Bandcamp or website presence, and an email list should be in your arsenal whether you are tweeting or Instagramming your band. Reaching your audience while staying true to an artist identity which doesn’t include social media is difficult but not impossible and if you’re looking for someone to work with you on this make sure they’re thinking beyond Facebook posts and video content to what works with your approach.
What if I haven’t got a budget to promote my release?
And what do you do if you haven’t got any money to spend promoting your release? Well, while it’s advisable to budget something toward this not having cash to hand shouldn’t be a barrier – there’s plenty you can do yourself without spending a penny on both PR and direct to fan marketing.
For music PR you can build your relationships with bloggers and broadcasters whether you have a release or not. Most will list their preferred method of contact on their website or details page and you should take the time to dig out those who are covering things in your genre – there’s no point contacting a blog specialising in death metal if you are an electro-pop band. Do your research; the only cost to you here is time.
If you’re not sure where to start take a look at the Unsigned Guide and SubmitHub for help in getting to the right people, but make sure you’re not an unwanted ‘cold caller’ and you’re personable in your contact.
If you want to take matters into your own hands social media has made it easier to publish your message, even if it is slightly trickier to be heard among everyone else shouting online. Again, time is your spend here. Make sure you’re not missing really important places to speak to people – if anyone has purchased your music on Bandcamp you will have an email address you may be able to use to contact them again. This is likely to get a better result for you than suddenly tweeting a couple of times after being silent for months.
And consistency is a key part of doing this yourself. It’s no good only being active when you have something to push, you need to be joining conversations and nurturing your relationship with fans all the time so they are really ready when you have a release. That takes time too but if you want to make promotion work it’s an investment you need to consider.
DIY or grow your team?
When thinking about promoting your releases you can choose between doing it yourself or growing you team, putting in the time and learning the skills yourself, or putting some budget behind an expert in the area.
There’s no universal answer or formula to guarantee your success but knowing what the options are and thinking through what’s right or what’s possible for you as an artist is a great place to start.
Need some help with your next release?
Whether you think spending your budget on reaching your fans directly or you want to gain coverage and airplay through a music PR book in for a free, no obligation, 15-minute phone call with Sarah Lay to discuss your next release. Want to find out more about those we’ve worked with – head over here.
Whether you are just starting out or you’ve been around a while the chances are you already have someone who’s a fan of your music (and we’re not talking about your mum or your best friend) – and how you treat those who love what you’re doing can make a big difference to you as an artist.
Let’s bust a few myths to get started talking about fans…
- you don’t need hundreds of thousands of them to be successful
- you don’t have to be friends with them
- you don’t need to change or compromise your creativity to gain fans (in fact you absolutely shouldn’t do this)
- if you’re an independent musician having fans who will buy your music and merch, come to your shows and talk about you to others is key to all your do.
As an independent musician you should be making music for yourself but by finding people who love what you are doing too – so much they will part with cash, invest their time, and spread the word about you – you’re setting up a way to allow you to keep creating.
There doesn’t need to be a legion of these people (at least not to start with) but you do need them to be engaged with what you’re doing, not just passively liking but never looking at your Facebook page. As with all you do you should be thinking about reaching the people who count, not just counting the number of people you can reach.
Where are these people though? It’s a strange situation where it’s both easier and harder than ever to find fans for your music.
Traditionally when everyone was introduced to music through their local record shop, radio, the music press, or music TV the key to finding fans was getting the gatekeepers of those places onside. You needed to have a certain amount of success before you could really become successful, even as an independent artist.
These days the internet means you can by-pass the tastemakers and find your fans directly – but the way people discover music has become much broader alongside this so you have to be ready to go out and find them, not just expect them to find you.
This most obvious way to do this is to have social media profiles which represent you authentically and through which you are joining conversations and talking with people. In the twenty (or so) years I’ve been working online this has held true: you get out what you put in. If you blast out messages and never respond to anything or join a conversation you will be perceived in the same way as advertising and be ignored by many as a result. If you use your profiles to chat and join in, you’re likely to find you build connections which are more meaningful to your music and creative path.
Don’t want to be glued to your screen and spending more time on social media than you are on your music? There are other ways. More one-way but valuable is a mailing list. You can collect signs up at shows, or through a simple online sign up page (link to it from your Bandcamp or Spotify profile, or your social media accounts if you have them) and send out updates on what’s going on. People have opted-in to this – they’ve let you know they’re into what you’re doing – so chances are they’re more ready to act on what you’re doing than if you have thousands of likes on your page.
And you want to make sure the machines are working in your favour beyond your conversation. Getting playlisted with similar artists, being seen on line-ups with bands who are likely to have fans who’d dig what you’re into, and finding a broader reach through getting coverage in the press and on radio are all still important in finding your way in front of people who might care.
Conversation > Connection > Consistency
Wherever you are looking for fans and trying to be discovered keep in mind that conversation, leads to a connection, and it’s then down to you to be consistent to maintain it and build on it. Don’t just show up when you have something to push at people (months of silence followed by ‘new single out now – buy please!’ is not a good look) but be around consistently and people will be more ready when you do have something happening.
There are lots of ways you can reward fans who are showing you extra special report – they don’t have to be expensive, and they can feel inclusive even when they’re for only a few people. A great example recently came from indie folk band Sister John and Last Night From Glasgow records who sent a heart-shaped lathe cut vinyl of single Airport to just four people on Valentine’s Day 2019.
While the track went on general release digitally the following day the vinyl was a chance for the band to say thank you to a few people who had been supporters or gone to special efforts for the band, while also creating a collectable item. Lathe cut vinyl has no minimum run order so creating short runs is an option worth looking at.
Or maybe you want to be more personable with all those who have purchased your music. While signed copies are pretty standard (and still much-loved and collectable) LIINES made sure they included a hand-written note with each copy of their debut album they shipped.
With most of the run sold in pre-order this was no small task but the short notes thanking people for their support were appreciated by those receiving the record, and was a human touch in a world where an anonymous and robot-packed Amazon parcel is becoming the norm.
That personable approach can be taken at the end of every gig by making sure you head to your merch stand and are ready to chat with people – yes, you’ll have a lot of similar conversations over time but each conversation you have is also special and memorable. Not getting out to play shows or find conversation hard? You can be as personable online by showing up on your social media profiles and having conversations, not just pushing stuff.
How we can help you find your fans
If you’re ready to take control of your career and find success for your music on your terms then we’re here to help. We can help you plan for your next release through helping you find your audience, build an engaged fan base, gain coverage in the music press and airplay on radio as well as link you in to a national network of independent promoters and help you record and release your music.
Book your free 15 minute discovery call with Noble and Wild founder Sarah Lay where she will find out more about you and the ways we can work together. Book now – no obligation. Or check out other ways we can work together.
Noble and Wild lead Sarah Lay has teamed up with independent label Last Night From Glasgow to offer a full day of workshops for independent musicians and unsigned artists in Glasgow this March.
Including sessions on how to make money as an independent artist, how to do your own PR and panel sessions the event will be held at Stereo in Glasgow between 11am and 4pm on Saturday 16 March 2019. Tickets will be priced at £10 and include lunch, and entry to the evenings gig – a third birthday bash for Last Night From Glasgow with performances from Cloth, Sister John, Annie Booth, and Foundlings.
Places are limited so make sure you put your name on the list here.
Sarah has worked across the music industry for the last two decades and brings experience as an independent label owner as well as music journalist, PR and artist manager. She’s worked with independent artists and helped them to earn money from their music, build their fanbase, gain coverage, and find their own way to success.
She said, “Being unsigned or independent as an artist, band or musician is a choice these days and signing to a label or getting representation isn’t a necessity in order to grow a fan base, gain coverage or make money from your music.
“These workshops will share tips of the trade and share skills, and give bands a different way of thinking about what they do which will help them to get where they want to be.”
Event: How To Do It All Yourself with Reckless Yes and Last Night From Glasgow
Date: Saturday 16 March 2019, 11am-4pm
Location: Stereo, Glasgow
Cost: £10 including lunch and gig entry
Register your interest in one of the limited places here.
If you’re starting to look ahead to 2019 and making plans for your music, and resolutions to build on what you did in 2018, booking in for a free discovery call with Noble and Wild founder Sarah Lay may be a good first move.
The free call – which can be by phone, Skype or Zoom – will give you time with Sarah to go over where you’re at with your music and what you’d like to achieve in the next 12 months. Maybe you want to release a single or album, get some coverage or hear your songs on the radio, or perhaps you’re already gritting your teeth about another year of Facebook posts that reach no-one but feel obligatory. Or maybe you don’t know what you want to do – you just want to make music, and reach people who like it enough to buy and support you to do more.
With years of experience running a record label, putting on shows, managing artists, and working as a music journalist and PR Sarah can help you focus on the steps you need to take for success. Whether that’s learning a trick so those Facebook posts have a purpose, or knowing what you need to put in your press pack to get journalists to take a listen, or wondering what you need to do to command a fee for your gig efforts, or maybe you’re thinking about finding a manager to help you to the next stage with your music but aren’t sure of the pros and cons – Sarah can help guide you to success through sharing her experience across the industry in all of these areas and more.
Our calls and services – and Sarah’s ethos overall – is about helping you as an independent or DIY musician to keep creative control while moving toward your success. Whether you want to be signed by a label or are keen to go it alone Sarah will share practical steps and support you to get there.
What others say
Having worked with Sarah at Reckless Yes, the label through which Chorusgirl released second album Shimmer and Spin in 2018. Sarah worked with the band (alongside label co-founder Pete Darrington) on releasing the record on vinyl, CD and digital; planning a UK tour; and working with butilikeyou PR on a print, online and radio campaign while Sarah supported on social media planning.
“Highly recommend Sarah Lay – from our own experience, she’s absolutely excellent at mentoring, advice and inspiration!” – Silvi Wersing, Chorusgirl
Many Reckless Yes artists have used Snug Recording Company, a studio in Derby, including Grawl!x, Unqualified Nurse Band, Pet Crow, and Mighty Kids. Sarah has also worked with them on podcast recording.
“Having worked with indie record label Reckless Yes on various releases, we know that Sarah who co-runs the label is a total goldmine of information on all things PR, press and DIY (mainly because they’ve supported their artists to experiment and they know what works and what didn’t).” – Snug Recording Co.
There’s no obligation to take up Noble and Wild services off the back of the call and there’ll be no hard sell – if we think we can help you we’ll let you know but the calls are offered to help you focus first and foremost. Book your call here.
Already know where your music career focus is in 2019?
We’re running some workshops to help you get set up for success. Run as small group workshops Sarah will be sharing her skills and knowledge and there’ll be plenty of time for you to ask questions and get the answers specific to what you’re trying to do. We run day and evening sessions around the UK to fit around your other commitments, discounts for more than one member of a band to attend, and all our workshops currently have 50% off – bonus!
Waiting list sign up for:
- How to make money from music
- DIY PR: Going it alone finding coverage for your next release
- Finding fans: how to build a fan base eager for your music.
If you’d like to find out about other ways to work with Sarah – including social media marketing, PR and plugging services, or our bespoke packages tailored to you – check out our services page or book in for a free 15 minute discovery call.
If you’re looking ahead to 2019 and wondering how you can make it a successful one with your music our latest batch of events may well be for you.
Whether you’re wondering how to earn money from your music, are feeling frustrated your social media efforts aren’t connecting you to fans, or you know you’ve got to run the PR gauntlet for you next release we’ve got you covered.
- How to make money from music – sign up to waiting list here
- Finding Fans: building a fan base eager for your music – sign up to waiting list here
- DIY PR: going it alone with coverage for your next release – sign up to waiting list here
About our workshops
Our workshops are small group sessions to make sure you have a chance to ask plenty of questions and get advice from Noble and Wild founder Sarah Lay.
- Where? We hold our workshops in various locations around the UK
- When? We’ll be announcing our next dates in early January so sign up now to the waiting list to be the first to hear
- How much? We’re offering 50% off our workshops at the moment meaning the two hour sessions an cost as little as £20.
About Sarah Lay
Our workshops are led by Sarah Lay, founder of Noble and Wild, and co-founder and head of creative at independent record label Reckless Yes.
She’s an artist manager and live promoter as well as a music journalist for publications including Loud&Quiet, Drowned In Sound, Louder Than War magazine, and Get It Her Ears, and a PR who’s found coverage for clients with 6Music, Radio X, Amazing Radio, Louder, The Line of Best Fit, The 405, For The Rabbits and more.
Added to this experience across the music industry she’s an award-winning content and experience specialist who loves to work collaboratively to support independent musicians create success on their terms through sharing the knowledge and skills she’s gained working with artists and labels.
More about our next events
How To Make Money From Music
If you’re playing gigs but barely making enough to cover your petrol, if you’re releasing tracks but never covering the cost of your distribution from your streaming royalties, and you’re always emptying your change jar to pay for rehearsal time this workshop is for you. We’re not churning out millionaires or selling get rich quick schemes but we can help you start to make money from your music through understanding your royalties, sharing different options and costs to releasing your music, and being able to command a fee for your live shows.
This is a two hour workshop and we’ll make sure you’ve got an action list to take away at the end of the session. Sign up here to be the first to hear about dates and locations for this workshop, and book early to get your 50% off early bird pricing.
Finding Fans: how to build a fan base eager for your music
Everyone has to have a Facebook page these days, right? But you also have to boost those posts if you want people to see them. Social media can take a lot of your time (and money) and not show you a definite return. We’ll help you find fans who want to buy your music and come to your gigs by showing you where your effort is best placed, and sharing some tips to get the most from social media and other ways of connecting to the people who love your music (and we don’t just mean your mum).
This is a two hour workshop and we’ll make sure you have a checklist and content plan to take away at the end of the session. Sign up here to be the first to hear about dates and locations for this workshop, and book early to get your 50% off early bird pricing.
DIY PR: going it alone for coverage for you next release
You’ve sent a hundred emails to every magazine, blog, playlister, and radio station you can find but the reviews aren’t coming. If you’re not ready or able to spend money with a PR this workshop is for you. We’ll make sure you reach more people with your next release by taking you through how to get the perfect press pack together, how to plan your timelines and crucially – how to get seen in a journalist’s inbox.
This is a half day course and the price includes refreshments. We’ll make sure you have a campaign template and checklist to take away at the end of the session. Sign up here to be the first to hear about dates and locations for this workshop, and book early to get your 50% off early bird pricing.
Don’t want to wait?
If you want to start working toward success with your music right now you can book in for a free, no obligation, 15 minute discovery call with Sarah Lay now. She’ll get to know you and your music to see how we might work together. You can also find other ways to work with us here.
There’s more music press around than ever before and yet it can still be hard work to get your music covered online or in print. Take some of the chance out of it by checking out our guide to creating a great press pack for your next release.
Getting your music reviewed on a website or in a magazine, or getting your band featured in some other way, can help you tracks in front of new people and help to build a reputation for promoters and others. But even though there’s more music sites around than ever before competition is high and you need to find ways to stand out in a the overflowing inbox of journalists and bloggers and once you have you need to make sure they have all the info they need. Enter the carefully crafted perfect press pack.
If you’ve researched the submission guidelines for the publication and – even better – formed a genuine relationship with a writer based on what they’re already covering you’re in the best position to get your email opened. When that happens you want all the information needed to be provided in the right way and not to miss anything – doing so might mean you get passed over or something vital is missing from any coverage.
Creating a press pack for your band
Here’s our guide to what to include in the press pass for your next music release.
Introduce the band
This might sound obvious but it’s worth making sure the name of the band and the name of the release are clear, and you’ve included where you’re from / based as well as listed out the members. When working as a journalist I see this stuff is often missed as it’s so obvious / boring to you but for a writer it’s the basic detail they need for clarity.
If there’s a bit of a story to the release or how you came together, or how you work as a band then include this too – but the golden rule here is to keep it short. You can include an additional biography sheet as an attachment if you want to provide a full history or a deeper delve into your musical psyche but it’s not a must.
You might want to include a For Fans Of (FFO) line to give a flavour of your sound – but make sure this is truly representative and not just a wish list. If you’re not sure leave it out and let the journalist decide.
Include previous coverage
If you’ve had reviews or airplay already then include two or three choice quotes – and try to keep these fresh. It’s also worth including any impressive playlisting you’ve had – for example on a Spotify curated playlist or one with a good number of followers – and mentioning any shows or festival bookings associated with the release.
Provide great band photos and artwork
If you’re approaching an online publication remember they are likely to need both a landscape and portrait orientation image of the band, as well as a copy of the artwork, and these should be web optimised (at the right resolution for use online). For print, you need to supply at a much higher resolution.
Rather than attaching to the email or embedding them all in your one-sheet consider uploading a selection of clearly named images to Dropbox or similar and providing a link. Always – ALWAYS – include the photo credit in the name or metadata, and in the body of your email and one-sheet too.
Streams, downloads or physical copy?
The way you provide your music may need to differ by publication. For example, if you’re looking for a review in a print publication which specialises in vinyl releases you’re going to need to send them a copy of the record.
If you’re approaching online publications they may give guidance on formats on their submission page, may prefer to be approached through services like SubmitHub, or individual writers may prefer certain formats. I know writers who won’t review from anything but a physical copy and others who want everything as a stream in the first instance – it’s another reason it’s worth getting to know writers and what they want.
As a good rule of thumb it’s worth including a link to a Dropbox folder where MP3 or WAV files can be found, offering a download code for Bandcamp (where your tracks should be private until release day) and a link to a private Soundcloud (again, this should be private until release day – but make sure you supply the embed code in the email too). Got a video? Make it unlisted on YouTube and supply the link and the embed code in the email.
Remember your links
Finally it’s worth including additional information publications may want as standard – don’t make them work to find you online but include links to your social media profiles – Bandcamp, Spotify, Facebook etc – within the email. And make sure each of the places you’re providing a link to are up to date and show your complete information, and vitally – are obviously being used to share with people and don’t have a last post from six months ago and tumbleweeds ever since.
If you have live dates around the release then make sure they’re included too – date, venue, city, support bands / supporting information, and ticket links. The more you provide to a publication in a ready-to-go format the more likely it is to be included.
And that’s it – you’re all set.
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This campaign covered online and radio and coverage will be updated as it is available.
- “They describe themselves as ‘dark ‘n’ dirty porno blues rock’ and there is a certain muckiness to this new one, which might just be the best thing they’ve done so far” – Hidden Herd
- “they mercilessly bludgeon your eardrums with some mean and moody rocking it out” – Ralph’s Life blog
- “a record of punchy and raucous rock music. No drama, no fluff and no filler” – Storge
- Vents Magazine – EP announcement
- Circuit Sweet – EP announcement
- Storge – video announcement
- Morphettes online radio
- Ralph’s Life, Radio KC
For all press enquiries: email@example.com