The new album from Great Raven, Magnetic Smoke, is out today on NGland. You can order this very special album via the band’s Bandcamp page – available either as a download or a limited Cdr in handmade origami sleeve with artwork by Tara Hill.
“like a lost library record with gorgeously honest vocals, subtle electronics & field recordings pulsating throughout”
A concept album of sort the album charts a person’s changing disposition from sunrise to nightfall on a Summer Solstice. It’s influenced by the works of Laurie Anderson, Arthur Russell, Meredith Monk and Karen Dalton.
What the press say:
“We are spun around through the ages seemingly discovering ancient folk tales and rhythmic patterns that are occult in their feeling, sometimes scary often addictive.” Louder Than War
“In places it’s like Björk with fewer beats and more cowbells, a more nightmarish Laurie Anderson, or even the more experimental, ambient 1980’s output of 1970’s axe hero Bill Nelson.” Boxofpeppers
The album, released on 21 June, charts a summer solstice from sunrise to sunset and tells the story of a person’s changing disposition during that time.
Influenced by Laurie Anderson, Arthur Russell, Meredith Monk & Karen Dalton and from a love of albums including Todd Rundgren’s ‘A Wizard A True Star’ and Van Dyke Parks ‘Song Cycle’, Great Raven are Daisy Temple and Antronhy.
Released on NGland Records limited edition individually numbered CD-Rs in origami sleeves and digital download it will be available from http://ngland.bandcamp.com from 21 June 2016.
Press enquiries to firstname.lastname@example.org
RY001 will be a ltd edition coloured vinyl 7″ from ’90’s alt rock legends Bivouac. The single will feature new track Sweet Heart Deal along with a reworking on a track from the band’s heyday Deep Blue Sea Surrounds. More details will be announced soon.
Paul Yeadon, frontman of Bivouac said: “We’re excited to be working with Reckless Yes on the release of the single; an independent label run by people who are passionate about music and want to work with us in a way where we get to keep our integrity and creativity.”
Reckless Yes Records
Reckless Yes was founded at the start of 2016 by Peter Darrington (bassist in Cable and The Hudson Super 6, music journalist and broadcaster) and Sarah Lay (editor of Louder Than War – and boss here at Noble and Wild).
They are running live music events including a bi-monthly DIY style night called Six Impossible Things and touring shows for band’s including Bivouac. The duo also DJ together.
Pete said: “Launching Reckless Yes as a record label is exhilarating and it’s an honour to be starting our catalogue with a band I admire.
“I’m thrilled to be working with Bivouac. They inspired me to be in a band and were not just an influence musically but also mentors. A brilliant band with songs to die for whose comeback material proves they’re still relevant today.”
“It’s been a wonderful surprise to us to now be putting out their new material, and becoming a record label feels like a very natural next step for Reckless Yes.”
A full press release is available here: Reckless Yes Records to release Bivouac single (PDF)
All press enquiries to email@example.com
Netsounds has premiered Bentcousin’s cover of the Dinosaur Jr classic Freak Scene.
They said: ““Bentcousin swap the slacker tornado indie rock guitars of the original and perform laid back synths, beats and blips under a disco ball that breaths new life into the song. It’s so different from the original that it’s practically a new song.”
The self-titled debut album is out on Friday 19 February via Team Love.
All enquiries to firstname.lastname@example.org.
Noble and Wild founder and boss Sarah Lay has been shortlisted in the Comms2Point0 Lifetime Achievement Award for her work across music PR, music journalism and also in digital communications. The award is now open to public vote – vote for Sarah here.
Sarah has worked in both music journalism and digital communications for the last 15 years and the award recognises her success across both industries.
She is currently editor of louderthanwar.com and associate editor of Louder Than War magazine as well as an influential digital content strategist in local government. Read more about her career here. At Noble and Wild Sarah brings together her experience from across both industries in order to support artists with their own communication and provide music PR and live promotion services.
The public vote is open until 17 November and the winner will be announced on 3 December 2015. We hope all Noble and Wild clients past and present will support Sarah by voting. Vote for Sarah here.
We’re really pleased to announce Noble and Wild will be working with one of our favourite record labels, Team Love Records, early next year.
Team Love has released records by a whole load of artists we adore – Tilly & The Wall, Simone Felice, Jenny Lewis with The Watson Twins, Gruff Rhys, The Wave Pictures and Conor Oberst and The Mystic Valley Band (Conor also co-founded the label back in 2003).
We’ll be working on the campaign around the first full-length album from a UK band on their roster and we’ll share more news about this later in the year.
For now – enjoy a Team Love release that we <3 lots from another band from the label’s stable, Tilly & The Wall.
We’re working with Chris Helme on digital PR for his own music (or we will be soon at least) but last night Noble and Wild headed back to York to deliver a small gift to the open mic night he runs and we <3 big time. Once again the night and York’s musicians, and scene, surprised and delighted us.
The herald of autumn is a chill in the air. The jacket gets pulled closer as a shiver runs through you. Tendrils of music and laughter, the promise of all kinds of warmth, reach up to the street and you find yourself at the top of a stair case flickering with candlelight, drawn down into Sotano.
You don’t know it yet but tonight the basement bar is going to become a hands-aloft rave, a trip hop haven, a softly sung acoustic dream. Even when you enter alone as a stranger you will leave feeling as if you’ve been there always.
For tonight is Ruby Tuesdays (with guest host Robert Loxley Hughes rather than your regular Chris Helme).
The poster says it is an open mic and this is true, but it isn’t the whole of it. What you don’t know until you’ve made your way down those stairs into the colour of the sound is that Ruby Tuesdays is magic.
It is the land at the top of the Faraway Tree – an ever-changing space shaped by the atmosphere conjured by who turns up to play, the way their vibes start to ripple back and forth. It can be an underground ‘60s soul club, or a warehouse party, or a psych-fuelled trip, a quietly nodding folk club. It can be one of them at a time or all of them at once.
Tonight peppercorns are floating in the glass in front of me, little black spheres slowly spinning through a universe of pink gin and crushed ice. Candlelight flickers as I catch glimpses of the stage between the shifting silhouettes of the crowd. I’m watching as a didgeridoo is set up, a drummer shuffling in readiness beside it. If I’d known what was about to happen I would have braced myself, but the surprise is part of the magic down here.
A didgeridoo can sound like an echo through time, it can sound like heat and space, it can resonate with you on an almost primal level. Or, I learn in the most wonderful way, it can sound like the Beastie Boys playing a warehouse party.
The volume is not something you hear, it’s something you feel, inside. And the longer it goes on the more you are pulled into its bass rhythms, a euphoria spreading through the small crowd still packing out the bar, we whoop and holler at the end only to realise it’s not a stop but a drop and we’re about to be taken under with some loose and funky beats.
As is the trip hop and psych rock infused jam that happens with changing vocalists and a laid-back vibe. Or the strum of the ukelele and a Caitlin Rose cover. Or the flautist. Or the electric guitar and the blues growl. All of it magic of its own kind.
And even when the crowd are shushed it is with respect not annoyance, it’s as much not wanting anyone to miss out on the music being made as needing to hear it for yourself.
You do need to hear it for yourself.
Everyone needs to find themselves drawn down those steps into the other world of Ruby Tuesdays, to know beyond doubt what the love of music feels like when it is all around you, to believe in magic.
Ruby Tuesdays is at Sotano, Little Stonegate, York every Tuesday from 9pm until late. It’s free, there are drinks offer and all are welcome. Chris has some rather lovely badges (even if we do say so ourself) to give out if you wanna take a piece of magic away with you. Follow Ruby Tuesdays on Twitter and Facebook.
Yesterday (21 July) was the third annual Harkive day, the global survey of how, where and what people are listening to. The project aims to show how music listening is changing in the digital age through a ‘mass observation’ of people’s listening habits.
There’s more about it here if you want to know the background.
I’ve taken part in all three years (see my post from 2013 over on my other blog) and am fascinated to read the tweets and posts coming in, and how so many people are still so very in love with music that it’s a sole-focus activity while others feel that love through music being a continuous soundscape behind their day. Check the #harkive tag on Twitter for a taste of what people were sharing.
Yesterday was a fairly low-level music day for me. If Harkive had fallen on Tuesday 14 July my diary would have been packed with the sounds of York and the records of Ruby Tuesday – probably a much more exciting post although yesterday is probably a truer snapshot of my listening habits.
Looking back over the diary from 2013 my own habits don’t seem to have changed much. I’m still listening to music on my commutes, having fairly silent days in the office (music-wise anyway) and then deeper listening in the evening for pleasure of Louder Than War. I probably stream more these days (for convenience – a poor excuse really) but vinyl is still my preferred format, although CDs are making a comeback for me due to my in-car stereo options.
My Harkive diary for 2015
Most week days my musical day starts on my commute. I get somewhere between 35 and 90 minutes to listen to music on my drive (depending on traffic) so can usually squeeze in an album or two.
Today I listen to Mammoth Penguins’ Hide and Seek album on CD. I’m woefully overdue on reviewing this wonderful LP for Louder Than War – listening this morning is to try and get my head back into writing mode but it’s a great album – you should definitely check it out!
I park up and stream Taylor Swift’s Shake It Off from YouTube on my phone via an FM adapter to the car stereo. This is my current ‘set my day up’ song. Regularly giving it a listen while getting my stuff together to head into the office.
Commute – the return
Stream Spotify on my phone via a cassette converter (yes, still driving the car with the cassette stereo in). Today I go through this playlist I made, again as an attempt to shift my head space from office to evening work.
The sounds of home
Smooth radio is the background noise of our home most of the time . It isn’t my station of choice but is ok as a backdrop to our life – although once you’ve heard The Bangles’ Eternal Flame for the third time in as many hours you do have a simultaneous feeling of soporific comfort from the familiarity and the terrifying realisation of the unstoppable passage of time.
The kids have some friends over and in-between an epic battle of all the plastic figurines we own (about 300) they are playing Minecraft parody songs from YouTube on their tablet and singing Dumb Ways to Die (with their own added mortal scenarios).
Tonight I make a quick drive over to a friend’s house and stream a few tracks from the new Mark Morris album from Soundcloud on my phone via that tape converter in the car. (very excited to have just set up an interview with him!).
On the way back I stick a Spotify playlist on shuffle via the same method.
At home I head into writing time (still that 9pm to midnight slot that I was using back in 2013). I take a look at a track from the new Widowspeak album on YouTube while on my laptop, then stick side 4 of Taylor Swift’s 1989 on the record deck. As I stop procrastinating and get on with some writing I put The Smoking Trees’ TST album on.
And that’s my music listening for Tuesday 21 July 2015.
Find out how to submit your story to Harkive on the website.
This week I made the trip up to York to catch up with Chris Helme and hang out at his open mic night, Ruby Tuesdays. Not a bad way to spend a couple of days mid-week in summer but made even better by receiving some good news for my authoring alter ego Riley Reynolds and then finding York to be not only pretty but absolutely bursting with music.
I’ve been to York a few times – as a child on day trips to the Minster; on a weekend away with my now-husband; for at least one unconference (pregnant, I spent a lot of time sat down on the bullet train between sessions); and as a parent of a primary school-age child about to study Vikings. But I’ve not really just wandered around and listened to the city, with no other purpose than doing just that.
There are a lot of buskers in York. Getting lost between the Shambles and the Minster there were snippets of beautiful street music – a fiddle player, a girl with an acoustic guitar, a man surrounded by percussion against the wall of a church, Amazing Grace on a small keyboard. Mixed with the bustle that is somehow created by many ambling tourists it was the perfect soundscape for peering in shop windows and shading eyes against sunshine to look up at the intricacies carved in old stone.
Ruby Tuesdays turned this musical city up to 11 for me though. (And yes, doing work with Chris means I’m unlikely to be negative about it BUT I genuinely loved it so much that I had to write something…accusations of bias be damned!)
In a basement off a little side street is the candle-light and ruby glow of York’s only Tuesday night open-mic. It becomes packed with people, the soul and funk records cosying around us from the low ceiling and wood-panneled walls. It has a beautiful energy that comes from the pleasure of sharing the playing and making of music.
There are a lot of performers tonight – mostly acoustic but all very different, and all of who I would have paid money to hear (especially the quiet ones, late on, who competed with the chatter in the room). There is euphoria in the air, dancing and whooping as the records spin.
Magic is conjured here – music, conversation and a love of the way it all comes together in this place.
The spell has lasted long beyond leaving York, filling my head with music and sunshine for the rest of the working week. Now I’m already looking forward to a return trip at the end of the summer to listen again to this lovely city and bask in the glow of a Ruby Tuesday.
For more on things to do in York then the York Mix looks like a good place to start and were very lovely to speak to as well.